All about BLOWSIGHT
All about BLOWSIGHT

Sweden has al­ways been a guar­antee for the ex­port of epic pop melodies and in­fa­mous rock bands; how­ever... this is rarely com­bined in one package. BLOWSIGHT have in­ter­nal­ized the essence of both, and united them to create an ex­tremely amazing, unique band with epic po­ten­tial for suc­cess.

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(You can click each pic­ture for a short in­ter­view!)

BLOWSIGHT's ex­plo­sive mix­ture of in­fec­tious en­ergy and mu­sical ma­tu­rity is fresh, new and sure to blast the roof off of every stage the band sets their feet upon. "Blowsight is like a big melting pot of ev­eryone's fa­vorite music" states Nick Red, singer/gui­tarist for the quintet from Stock­holm, Sweden. "it doesn't matter if it's in­flu­enced by Metal­lica, Queen, Lady Gaga, Tes­ta­ment, or My Chem­ical Ro­mance... ev­ery­thing fits to­gether", and no other quote could de­scribe their music more ad­e­quately ei­ther. Nick con­tinues, "Our focus is to break down the bar­riers by bringing dif­ferent genres to­gether whose fans would openly fight each other out in the streets". They've tagged this com­bi­na­tion Pop­Met­alPunk, which fits them like a glove. True to their motto- "we play what we want".

It all began in 2007 when the band won a very im­por­tant Swedish music com­pe­ti­tion beating out 16,000 other bands. This in­ci­dent led to a deal with Sony/BMG who shortly there­after, re­leased the EP "I'll Be Around". The first pressing sold out in less than a month, and tours en­sued throughout Eu­rope with Danzig, Life of Agony, and others.

In 2009, BLOWSIGHT signed with Ger­many's Fast­ball Music and quickly re­leased their debut full-length "Des­ti­na­tion Ter­rorville", re­ceiving crit­ical ac­claim by the likes of Close Up, Rock Sound, and Metal Hammer who crowned them as Band of the Month. In 2010, they re­leased Dystopia Lane, and in 2011, the band re­leased their Shed Evil EP, both of which also re­ceived crit­ical ac­claim. The band pro­ceeded to em­bark on a ex­ten­sive Eu­ro­pean tour with Sonic Syn­di­cate, then per­formed at the in­fa­mous Wacken Open Air Fes­tival in Au­gust, 2011. Fast for­ward to 2012 after a suc­cessful Eu­ro­pean tour with Ger­many's OOMPH, the band are ready to un­leash a brand new full-length album en­ti­tled "Life & Death" upon North America through Eclipse Records (Mush­room­head, Scum of the Earth, Bobaflex).

On their latest ef­fort "Life & Death", BLOWSIGHT im­me­di­ately as­sault the lis­tener with the en­er­gized opening track "It's Me You're Looking For". With their fierce first single "This Pain", the lis­tener im­me­di­ately re­al­izes BLOWSIGHT are a band with am­bi­tions that have no limit. Per­haps the best ex­am­ples of this lim­it­less am­bi­tion are the bluesy, swinging an­them "Red Riding Blues" and the seven minute long opus "Dystopia II" which can only be de­scribed as the off­spring of Queen's Bo­hemian Rhap­sody mating with November Rain by Guns N Roses. "Dystopia II" show­cases singer Nick Red's amazing vocal abil­i­ties, and goes through var­ious tran­si­tions, while steadily building and solidly erupting in climax to­ward the end as an al­most sub­lim­inal thun­der­clap leaves the lis­tener in tears wanting more. The last track how­ever, "Dirt" could easily win over the most diehard metal-heads, with its angry growling vo­cals, blast­beat-kick­drums, and down-tuned res­onating mad­ness. After just one listen to this album, it's easy to see BLOWSIGHT re­ally do play what they want, and they play it well.

One cannot how­ever ig­nore what just might be the catchiest song from "Life & Death", en­ti­tled "Hit on the Radio". The song has this in­fec­tious pop­met­alpunk chorus that finds its way back into the lis­tener's mind long after the stereo has been turned off. The gui­tars are so damn heavy, with just the right amount of buzz, the vo­cals are strong and melodic, while the beat is solid and even dance­able. It's dif­fi­cult to say if this is a modern rock or pop song be­cause... it is both, and it is some­thing that only BLOWSIGHT can de­liver.

Pre­pare your­self... the pop­met­alpunk in­va­sion has begun.

 

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